Literary Analysis Of Everyday Use By Alice Walker - 771 Words

Most readers see what is shown on the surface, but do not go deeper between the lines. There are two different ways readers can interpret â€Å"Everyday Use† by Alice Walker. The first one being Dee/Wangero comes home as a new person with a new attitude. Dee’s mother sees her as a person who,†...washed us in a river of make-believe, burned us with a lot of knowledge we didn’t need to know.†Ã‚ ¬ (Walker 53). The other way the short story could be read is Mama shares the story in her point of view, which is not necessarily the truth. Although Dee can come off disrespectful, Dee cares for her heritage and shows this by taking many pictures upon her arrival and wanting the quilt and churn top. Dee does not care about where she came from. She is not†¦show more content†¦Nancy Tuten says it best when Mama stands up for Maggie,†Ã¢â‚¬ ¦metaphorically, she gives Maggie her voice.† This just shows how discourteous Dee is. Although the reader is blind with the disrespect Dee is portrayed of having, the whole story is in Mama’s words and thoughts. Mama portrayed Dee to be making fun of her heritage and being disrespectful, when really that is what Mama thinks. In the beginning of the story Dee was taking pictures of the house. Mama might have thought she would show her friends these pictures to speak negatively about, but Dee might have loved what the house looked like and wanted to show it off. By reading Susan Farrell’s re-evaluation, Farrell makes me realize that Mama is disappointed in herself. Mama is jealous of Dee because Dee is secretly what Mama would like to be. Farrell point out to the reader that Dee could be the sweetest person in the world and care so much about her family and heritage, but the reader would never know because the reader just sees what Mama sees. The reader assumes Dee is thinking exactly what Mama is thinking, and that may not be the case. In the end, Mama sh ows some of the same traits she admired about Dee. While eating dinner Dee shows much interest in the benches made by hand and the churn and top made by her Uncle Bobby. Then Dee becomes attracted to the quilts in the other room. Even though there are multipleShow MoreRelatedLiterary Analysis Of Everyday Use By Alice Walker1083 Words   |  5 PagesUse (Literary analysis on Everyday Use by Alice Walker) Everyday many people use the same things such as phones, cars, sinks, washer, refrigerators, and etc. In 100 years would you can future ancestors still have those things but only use them as decoration or use them still no matter how old they are because that is what they are made for? Everyday Use by Alice walker is a story of an African American family that had two daughter that live a very different reality. Maggie being scarred from aRead MoreSame Theme, Different Development in of Virginia Woolf and Alice Walker’s The Legacy and Everyday Use690 Words   |  3 PagesTwo major literary works of Virginia Woolf and Alice Walker’s The Legacy and Everyday Use, both of them have the common that is the theme of the story carries â€Å"the heritage† issue but the focus of it is different. In The Legacy, the focus of the heritage was a relic diary of Angela for her husband. Implicitly, we can conclude that the heritage was meant to be recognition of Angela to her h usband. While the focus in Everyday Use, the focus of the heritage was the quilts, and in the final story weRead MoreAnalysis Of Walker s Everyday Use863 Words   |  4 PagesAnalysis of Walker’s â€Å"Everyday Use† The short story â€Å"Everyday Use,† by Alice Walker, contains multiple different literary elements. History and heritage play a key role in the development and conclusion of this rather intriguing story. Although history and heritage are important, the driving factors of this story are the literary elements. In particular the elements of symbols, characterization, and point of view in this story are significant. The use of symbols in this short story provide a deeperRead MoreThe Usability of Symbolism in Everyday Use by Alice Walker Essay1230 Words   |  5 PagesSymbolism is a technique that author’s uses to bring out the main importance of an object, but more emphasized details are being extracted in the usage of it. Alice Walker uses quilts, for example, to symbolize a â€Å"bond between women† (Spark Notes) a relationship between women, that would get passed down from generation to generation. In this story, symbolism plays a big role that makes this more attracted to the reader’s eyes. The characters such as the following: Mama Johnson, Dee, and Maggie allRead MoreSymbolic References in Everyday Use by Alice Walker1848 Words   |  8 PagesSymbolism is the taking of an object big or small, and giving it something to stand for. It could be your everyday math symbols for addition, subtraction, division, and etc. Although math symbols are perfect examples of symbolism, there’s also objects that can be more than what they are. For example animals, Lions are known to be symbolized as strength, aggression, and assertiveness. Birds like doves are symbolized as love and peace. Colors are also held symbolically, for instance the color blackRead MoreCritical Analysis Of Alice Walker s Everyday Use2414 Words   |  10 PagesTulsi Rizal Prof. Mary Huffer Eng122 24 April 2016 Critical Analysis of Alice Walker’s â€Å"Everyday Use† Alice Walker, most revered African American writer of the present time was born on 9th February 1944 in Eatonton, Georgia. She started her career as a social worker/activist, followed by teaching and and being a writer. She has won many awards for her fantastic social and literary works. Everyday use† was published in 1973, when African Americans were struggling to revive their original African cultureRead MoreAlice Malsenior6001 Words   |  25 PagesAlice Walker: Peeling an Essence As an African- American novelist, short–story writer, essayist, poet, critic, and editor, Alice Walker’s plethora of literary works examines many aspects of African American life as well as historical issues that are further developed by Walker’s unique point of view. Writers like Alice Walker make it possible to bring words and emotions to voices and events that are often silenced. Far from the traditional image of the artist, she has sought what amounts to aRead MoreLiterary Analysis Of Alice Walker s The Color Purple1489 Words   |  6 PagesSisterhood and Feminism: A Literary Analysis of Alice Walker’s The Color Purple Behind every beautiful thing, there s some kind of pain. The color purple represents royalty and nobility, which can be use to describe the personality of Celie and Nettie and their value of life. Purple is created by combining a strong warm with a strong cool color. The one color contain two completely opposite colors which repre sent price of royalty and nobility. The Color Purple using epistolary style to describeRead MoreOpression and Inequality2595 Words   |  11 Pagesâ€Å"Racism, Oppression, and Inequality within The Welcome Table and Country Lovers† In this paper I will analyze the similarities and differences between Country Lovers written in 1975 by Nadine Gordimer, and The Welcome Table written in 1970 by Alice Walker. The overall theme and concept between The Welcome Table and Country Lovers are racism, oppression, and inequality which I analyze with critical thought and precision. Before I can begin to draw any conclusion as to comparing and contrastingRead MoreA Literary Analysis Of Still Alice3068 Words   |  13 Pagesï » ¿A Literary Analysis of Still Alice Still Alice (Genova, 2009) is a captivating debut novel about a 50-year-old woman’s sudden decline into early onset Alzheimer’s disease. The book is written by first time author Lisa Genova, who holds a PH.D in neuroscience from Harvard University. She’s also an online columnist for the national Alzheimer’s association. Her other books include Left Neglected and Love Anthony. She lives with her husband and two children in Cape Cod. The theme of the book is related

The Legacy Of The Great Steve Jobs Essay - 1333 Words

California is well known for its vast rapidly growing technology industry. In the past forty years alone, the computer industry has encountered numerous new advances. Many of these advances can be attributed to that of the great Steve Jobs. Jobs enacted as influential figurehead of the technological industry; spreading not only innovating ideas, but also motivating all of his colleagues to follow in his direction. Throughout the course of his life, Jobs built an empire, leaving him with a legacy to last a lifetime. He is most commonly well known for his greatest inventions through the company, Apple. Jobs acted as the co-founder, chief executive officer, and chairman for Apple Inc.. However, Jobs was not limited to Apple only, he worked with numerous inventors along his way, finding some of the most dominant pieces of technology to this age. Jobs established his company right here in California. Palo Alto, California to be exact. As a result, Steve Jobs has been the grounds for vast development throughout California, as well as stemming economical growth. The American visionary was born on February 24, 1995 in San Francisco, California. Unbeknownst to most, Jobs was actually adopted by his parents Paul and Clara Jobs. The family raised Jobs in Mountain View, California from five years old and on. Here his father worked for a company, which manufactured lasers. As his father Seifert 2 began to teach him about the process of making lasers, a passion for technology sparkedShow MoreRelatedSteve Jobs : The United States1349 Words   |  6 Pagesthat make up everyday life. In modern times of technology, Steve Jobs may not be perceived often for any particular significance as his lineage may now be ignored due to his recent departure. The brand that he founded, Apple, will go down in history as being a corporate giant in he field of electronic components. Even now, this essay is being constructed on a device possible primarily due to the original inventive genius that was Steve Jobs. Pressure to succeed whilst he was at the summit, lucidlyRead MoreZen And The Art Of Computing1283 Words   |  6 Pagesdeveloped. This source began with Jobs idea of apple from the beginning from when he was in school and enjoyed technology. It stated how it all started in the garage of his parents home. - â€Å" The Entrepreneur of the Decade.† Inc.com. N.p., n.d. Web. 13 Oct. 2014 This source helped me because it demonstrates how Jobs was a very successful entrepreneur that he was chosen to be the entrepreneur of the decade. Within this source, there was also a interview/ conversation between Jobs and Inc. This source was veryRead MoreSteve Jobs : Nonconformist Of The 21st Century1387 Words   |  6 PagesSteve Jobs: Nonconformist of the 21st Century When an individual adheres to the standards and regulation that are set by society, they are considered a conformist in its purest form. On the opposite side of the spectrum, those who do not follow these specific guidelines set by society are labeled as nonconformists. In essence, a nonconformist is an individual who goes beyond the principles of others, at the same time, is able to enhance the well-being and creativeness of other individuals. SteveRead MoreThe Great Salesman Steve Jobs Essay1393 Words   |  6 PagesThe Great Salesman Steve Jobs Rachel L. Kaczkowski Mississippi College Author’s Note Rachel L. Kaczkowski. Department of Business, Mississippi College. Correspondence concerning this biography should be addressed to Rachel Kaczkowski at Rkaczkowski@mc.edu. Abstract This biography explores the life of Steve Jobs. It goes into detail about the beginning of his life and what led him to be the man that changed the technological world. The main topic of this biography is to show the timelineRead MoreSteve Jobs, Mastermind Of Apple Inc.1399 Words   |  6 Pagesindividuals. Steve Jobs, mastermind of Apple Inc., is a nonconformist of the 21st century. Jobs’ ultimate goal during his time with Apple was to inspire the creativeness others through the use of Apple’s technology. Before Jobs founded Apple Inc. in 1976, computers were nowhere to be found in homes during this time. Rather, computers were mostly found only in lab schools or in certain work offices. As someone who changed the computer industry and made the personal user experience possible, Jobs provedRead MoreSteve Jobs Changed The World1054 Words   |  5 Pagesâ€Å"Things don’t have to change the world to be important† (â€Å"Steven Paul Jobs†). Steve Jobs, one of the most influential men to ever live on this Earth, believed in things that nobody else did, and he thought differently which led to him becoming successful. Fever few people, almost nobody, throughout Steve’s life believed he would make it far, and he By his way of thinking differently, Steve Jobs’ ideas completely changed the face of technology in the world around us that we know in today’s day,Read MorePersonal Statement : Steve Jobs1587 Words   |  7 Pagescertainly come a long way since then, and Steve Jobs and Apple, the company he founded, have been at the forefront of that evolution. With his leadership and unique perspectives, Steve Jobs has propelled creative and revolutionary technology. Steve Jobs gave us what we never knew we needed through his uncanny leadership, pushing his workers to their extremes. The wondrous devices we use constantly are the result of the sweat, blood, and tears of Apple employees. Jobs expected nothing but perfection fromRead MoreHenry Ford And Steve Jobs915 Words   |  4 Pagesbut his name means far more than that for most Americans that lived in his time period. Considered the Steve Jobs of his time, Henry helped advance the manufacturing industry and make products affordable to the masses. Henry Ford and Steve Jobs both changed the world by making their products affordable, increasing production of their items, and influencing future products. Henry Ford’s legacy began early whenever he created a self propelled wagon, but his work began to get notoriety in October ofRead MoreAnalysis Of The Book Steve Jobs By Walter Isaacson916 Words   |  4 PagesA book review of â€Å"Steve Jobs† by Walter Isaacson Walter Isaascon’s account of Steve Jobs in some way is a product developed from the mind of its subject. Even though Steve Jobs was categorical that he would not interfere with the creation of book, he handpicked Walter Isaacson to pen his legacy for all. The fact that he settled for Isaacson does not come as a surprise. While it may be agreed that great men are always not nice men, it can be excused if they are geniuses. Isaacson started his examinationRead MoreApple 20101157 Words   |  5 PagesAPPLE INC. IN 2010 Apple Inc. in 2010 Student Name American Public University Business 620 Apple Inc, in 2010 Steve Jobs and Steve Wozniak created Apple Computer Inc. in 1976, introducing the first apple personal computer that was mass produced. Throughout the years apple has attained great heights and success in the computer and technological arena. The company has had a competitive advantage in the creation and marketing of the iPod, iPhone, and various other personal media devices including

Although many of the authors that we have studied Essay Example For Students

Although many of the authors that we have studied Essay this semester saw fit to express what they considered the Modern artists relationship to tradition should be, two authors stand out because they explicitly say what they felt it was. These two authors Are T.S. Elliot in Tradition and the Individual Talent, and Alain Locke in The New Negro. Elliot and Locke use different definitions of the word tradition and address a different group of people in their particular works. Elliot uses the word tradition to speak of the great body of literature that has been produced in and around Europe as he addresses critics and artists. Locke uses tradition to define how Negro Americans have been viewed by white Americans, and by themselves, as he writes his cultural manifesto to America. Elliot finds it important before discussing the Modern artists responsibility to tradition, to expose certain fallacies that many people hold concerning tradition. He found that most critics did not really use the word Except in a phrase of censure. If otherwise with the implication. Of some pleasing archaeological reconstruction (1405). Critics were in effect using tradition only to describe something quaint and archaic. The problem with this view is that it creates the misconception among the general public that good poetry is not at all related to anything that has been done before, and it must instead be something entirely new to be good. This misconception was especially destructive because it caused people to ignore the influence of great writers of the past upon contemporary ones. Elliot states that in critical writing we tend to look for what is original in a piece of work if we like it, so therefore do not pay attention to what elements are traditional (ibid.). Further, he states that One of the facts that might come to light in this process is our tendency to insist, when we praise a poet, upon those aspects of his work in which he least resembles anyone else (ibid.). The task of the modern critic when studying a piece of a work should not be limited to finding out how a poet is different, but also in finding out how he is like the writers that came before him. By doing so it should be discovered that there is continuity in literature. As Elliot says if we approach a poet without this prejudice we shall often find that not only the best, but the most individual parts of his work may be those in which the dead po ets, his ancestors, assert their immortality most vigorously (ibid.). A Modern writer, however, should not limit himself to the imitation of his predecessors. As Elliot states, If the only form of tradition consisted in blindly following the ways of the immediate generation before us in a blind or timid adherence to its successes, tradition should positively be discouraged (Ibid.). So, the modern writer, though not ignoring the past, should endeavor to create something new. He can only do this by acquiring a historical sense, or in other words, if he wants to be an important writer that can stand the test of time, he must write not merely with his own generation in his bones, but with a feeling that the whole of the literature of Europe from Homer and within it the whole of the literature of his own country (1405-1406). Thus, when he writes he can not ignore the fact that the time that he is living in, and the subject matter that he chooses to write about, did not evolve in a vacuum. There is a definite foundation that he is building upon, if indeed he is a good writer. Elliot believes that the contemporary views of what the word tradition meant are incorrect. He states that a sense of the timeless as well as of the temporal and of the timeless and of the temporal together, is what makes a writer traditional (1406). Thus, being traditional does not mean that the artist is simply parroting the past, but instead has a real understanding of it, and a facility with using it to create something new. When speaking of the true artist Elliot states, his appreciation is the appreciation of his relation to the dead poets and artists (ibid.). The true artist is conscious of his debt to his intellectual ancestors. Elliot reasonably sees history, and therefore the history of art, as a continuos flow. However, when something new is introduced into the body of great art, that body is necessarily changed. According to Elliot, Whoever has approved this idea of order, of the form of European, of English Literature will not find it preposterous that the past should be altered by the present as much as the present is dictated by the past. And the poet who is aware of this will be aware of great difficulties and responsibilities (ibid.). In other words what happens now changes the way that we view the past as a whole. This fact is observable in history, as when any new period in art began. For example, when Stravinsky premiered his masterful symphony, The Rite of Spring, there was pandemonium. At first critics believed it to be ridiculous because it employed the use of discordant melodies. Today however we recognize it is as part of a logical progression in music. Elliot also gives instructions on how a poet should go about using tradition in his writing. He says that the poet should not take the past as a lump, nor form himself wholly on one or two private admirations, nor form himself upon one preferred period (ibid.). To explain himself he says that the first is inadmissible, the second is an important experience of youth and the third is a pleasant highly desirable supplement (ibid.). He means to say that the artist can not be limited by any of these views. It is impossible to consider every single piece of writing in history when constructing a new one; writing like your favorite poet is something that an immature poet does as he attempts to divine his own voice; and the study of a period of writing is a good thing when, as previously stated, it is coupled with the knowledge of the writers contemporary period, because if the artist doesnt do that he is parroting the past. Another important point that Elliot raises is that an artist can never make better art than what came be fore, only different art. Elliot says that art never improves, but the material of art is never quite the same (ibid.). After all, who can really say whether William Blake or e. e. cummings was the better poet? The fact of the matter is that it is impossible to do so because these two artists differ in subject matter and in style. The course of the modern poet should be to develop or procure the consciousness of the past (1407), and to continue to develop this consciousness throughout his career (ibid.). By doing so the poet will in effect be able to develop something wholly original. Veganism EssayFurther, the task that now faces the Negro is not the one that tradition had stated that it was. Locke says, the problems of adjustment are new, practical, local and not peculiarly racial (1585). Thus, many of the problems facing black people are also the problems facing white people. Some of these problems are industrial working conditions, affordable housing, and rampant inflation. Further, because of increasing class differentiation if it ever was warrantable to regard and treat the Negro en masse it is becoming with every day less possible, more unjust and more ridiculous (1586). The traditional view of African Americans according to Locke needs to be abandoned, and replaced with one that is contemporary and accurate. The Modern man, according to Locke, must realize that the great migration of African Americans is and was more significant than people give it credit for. He states that the movement of the Negro becomes more and more a movement toward the larger and more democratic chance-in the Negros case a deliberate flight not only from countryside to city, but from medieval America to modern (ibid.). The Negro man is stepping into the Modern world, and because he is doing so, his consciousness as a race is changing as well. The relationship of the New Negro to what passed for tradition should not exist at all. What Locke is calling for is the complete repudiation of the tradition that has served to shackle black Americans. However, in relation to the Negros cultural achievements Locke feels that both white and black Americans need to give the Negro his due. As he states, the Negro has already made very substantial contributions, not only in his folk-art, music especially, which has always found appreciation, but in larger, though humbler and less acknowledged ways(1591). Locke wishes to acknowledge past Negro contributions to America. He finds it necessary to point out that the black man was never merely the sum of his stereotypes. It follows then that the New Negroes must replace the old false tradition with one that is accurate and acknowledges their contributions and achievements. Elliot and Locke differ in several ways. First of all, their definition of tradition is different. Elliot is talking about the European literary tradition, while Locke talks about the traditional views that blacks were held in. Elliot admonishes his contemporary artists to realize what their relationship to the past should be, that is a balance between tradition and innovation. Locke encourages both black and white Americans to abandon the false tradition that masquerade black stereotypes as truth. They both, however, call their readers to re-evaluate their relationship to the past, which is never bad advice. Works CitedElliot, T.S. Tradition and the Individual Talent Heath Anthology of American Literature. Ed. Paul Lauter. 3rd ed. New York: Houghton Mifflin 1998. 1405-1410Locke, Alain The New Negro Heath Anthology of American Literature. Ed. Paul Lauter. 3rd ed. New York: Houghton Mifflin 1998. 1582-1592

Music Publisher free essay sample

I am interested to find out exactly what it is that a music publisher does, especially on a day to day basis. The music publisher stands at the crossroads of Art and Commerce, where enthusiasm for the art and business sense meet or miss each other. My main aim throughout this essay is too discuss this much debate question. I would like to include an interview from a music publisher and hear their view on this matter, and through my research conclude the matter with my own opinion. Music Publishing Music publishing is where the copyright creator (Songwriter) allows the business person (Music Publisher) to take on the responsibility of maximizing the earning potential of the creator’s endeavors. –Johnny Lappin. The main purpose of a music publisher is to exploit, administer and collect royalties for its copyright properties. They acquire the rights to songs from lyricists, songwriters and composers; this is done through an agreement called a publishing contract. We will write a custom essay sample on Music Publisher or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page The publisher will licence the composition, this helps monitor when and where the music is used, the publisher will then collect any royalties due for this usage. The publisher sells the rights to record companies (to make records), to sheet music publishers (to make sheet music books or digital sheet music to sell over the internet) and to the makers of film and adverts (synch). * There are five rights to which the music publisher has control of: * Mechanical Rights Permission is needed to mechanically reproduce a licensed work. The money that is paid and collected for this licensing is called a Mechanical Royalty. * Synchronization Rights This is the rights to the use of music used in synchronization to a visual, such as, in commercial advertising. The publisher would need to negotiate and issue a synchronization license so that the copyright can be used. * Print Rights Usually publishers will issue sheet music of all copyrighted works, especially that of a major songwriter they represent. * Digital Print Rights It is now possible for publishers to make digital copies of all a songwriter’s sheet music and artists’ recordings. This can then be sold online through MIDI files, PDF files etc. * Public Performance Rights Public Performance Rights such as, IMRO, collect royalties on the behalf of the publisher. They collect from Radio, Television, Retail stores and nightclubs etc. which use music in an effort to enhance their music. The Role of the Publisher Before the days of the singer/songwriter, music publishing was the music business. Publishers would acquire the copyrights to writers work and would then try to get the work exploited. Due to the fact that a lot of artists started writing their own music, the relationship between the publisher and the rest of the Industry began to change. Record Companies began to realise that if they singed an artist that write their own stuff they would not have any problems finding songs for the artist, and so they began looking for artists that could offer them this single package. An artist/composer can hire a publisher or they can publish their music themselves. It costs around â‚ ¬150 to register your own publishing company but not all artists have the time or skill to run this and can often end up going broke. The publisher handles the administrative aspects of the business, contracts need to be drawn up, collecting societies such as IMRO in Ireland need to be dealt with, offices have to be run etc. They make sure that all the legal and financial areas of your song writing are under control. The publisher works to place songs in its catalogue with other recording artists to gain royalties for themselves and the writer. Publishers always work hard to promote the back catalogue of songs. In recent years there has been a trend to use old classics in T. V programmes and adverts; this has made a lot of money for publishers. However, publishing work is not just about promoting a back catalogue of songs; they also need to keep in the present day. There are new artists and writers emerging all the time and it is vitally important for the publisher to keep in contact with Aamp;R departments and with the live music scene. Publishers often need to provide new songwriters and composers with the facilities they need to produce music and offering them advice in writing for particular markets. Typical Working day of a Publisher Open the mail, which will include letters and bills from Lawyers, record companies, managers, artists etc. The post will of course also include demo tapes. The publisher should listen to these tapes straight away or as soon as possible. They should then return the ones they do not like and keep the ones they do for further listening and investigation. * They then continue on with regular business, such as, drawing up ne w publishing deals, or renewing old ones. They may also have to deal with staff issues. Large companies may employ between 50- 100 staff and smaller companies will only employ a handful. The publisher may have some business lunch appointments with clients, their client’s managers, potential clients etc. This lunch will be used to try and develop a relationship with these people. * When the lunch is finished the publisher may have to return phone calls, have more tapes to listen to. She/he may also have some songs to try and pitch, to be heard by singers, managers, record companies and basically anyone who is in the music business. * During the evening, while most people go home after their days work, the publisher will go out and try to find new acts to sign. Legal Issues – The Contract For many songwriters and composers the truth is that when getting their first contract they become so overwhelmed and excited, that they forget to read the small print and sign without thoroughly examining the contract. You should always read and make sure you understand a contract before signing it, or get the contract checked by a professional body, such as, a solicitor preferably one qualified in music law. * There are three important points that must be negotiated between both parties before signing. These are: * The Term of the Agreement. * The Royalty Split between writer and publisher. The Territories covered by the contract. The Term The term covers the length of the agreement between the songwriter/composer and the publisher. The duration of the agreement can be based on years or on albums/songs. The agreement may be for one, three, or five years or it might cover specific songs for the ‘Life of Copyright’; this is the life of the author plus seventy years. One very important point to take notice of is that although some contracts might contract the writer for a period of time e. g. Three years, the works may be signed for life of copyright. The Royalty Split between writer and publisher There is no standard royalty split between writer and publisher, although according to a practice dating back to 1914, a publisher cannot take more than 50%. The deal is always in favour of the writer. Modern contract would usually have a split of between 60/40 and 85/15, depending on a number of factors e. g. how good the song is. The Territories covered by the contract The Territory refers to the countries governed by the contract. This can depend on the nature of, and where exploitation can take place. Publishing deals can cover the world or can be broken down on a country by country basis.